The Academy Award nominee stars as Enzo Ferrari, the real-life former race car driver whose tumultuous marriage to Laura Ferrari, played by Penelope Cruz, leads to him betting it all on one last race. Michael Mann directs the biopic “Ferrari,” using a script co-written by Troy Kennedy Martin (“The Italian Job”). Four-time Oscar nominee Mann is also producing the film through his Moto Pictures alongside P.J. van Sandwijk and John Lesher, as well as John Friedberg, Lars Sylvest, Thorsten Schumacher, Gareth West and Thomas Hayslip with major support from producers Andrea Iervolino & Monika Bacardi and their production service company, ILBE, and are joined by executive producer, Niels Juul....

Carano re-shared the following post on her Instagram story late Tuesday night: “Jews were beaten in the streets, not by Nazi soldiers but by their neighbors…even by children. Because history is edited, most people today don’t realize that to get to the point where Nazi soldiers could easily round up thousands of Jews, the government first made their own neighbors hate them simply for being Jews. How is that any different from hating someone for their political views?...

Jesse Eisenberg and Claire Danes star as a couple on the brink of divorce in FX on Hulu’s “Fleishman Is in Trouble,” streaming November 17. Parents to two children and both trying to balance family, career, and friendships, the Fleishmans are both in trouble, as it seems. Based on journalist Taffy Brodesser-Akner’s bestselling novel, “Fleishman Is in Trouble” centers on recently separated 40-something Toby Fleishman (Eisenberg), who dives into the brave new world of app-based dating with the kind of success he never had dating in his youth, before he got married at the tail end of medical school....

Here’s the official description from Netflix: “The limited series ‘Halston’ follows the legendary fashion designer (Ewan McGregor), as he leverages his single, invented name into a worldwide fashion empire that’s synonymous with luxury, sex, status and fame, literally defining the era he lives in, 1970’s and ‘80’s New York — until a hostile takeover forces him to battle for control of his most precious asset… the name Halston itself.”...

But you wouldn’t know it looking at some of them. There are characters who look unrecognizable from Episode 1 as well as new ones who have been introduced and recast faster than you can say “Which Aegon?” Still others are seemingly untouched by the passage of time. While certain recasting decisions make sense for the show’s timeline, others feel rushed and arbitrary, distracting from the central story. Not only are characters aging rapidly and inconsistently, but the actors portraying them aren’t always the same age as the character, adding another layer of potential confusion for the audience....

Ifans is playing Otto Hightower, the father of Cooke’s Alicent. Otto is the Hand of the King and “faithfully serves both his king and his realm. As the Hand sees it, the greatest threat to the realm is the king’s brother, Daemon, and his position as heir to the throne.” “House of the Dragon” is created by “Thrones” author George R. R. Martin and USA Network’s “Colony” creator Ryan Condal, who is serving as showrunner of the series with Miguel Sapochnik....

The creators behind “House of the Dragon” already promised the “Game of Thrones” prequel wouldn’t “shy away” from violence inflicted on women. But when it comes to childbirth? It seems the series didn’t even go as far as it could have. Viewers were stunned during the first episode for HBO’s “House of the Dragon” when Queen Aemma (Sian Brooke) is brutally cut open to save her unborn son, at the urging of King Viserys (Paddy Considine) who is desperate for a male heir....

How, exactly, the premiere incorporates its title is a) a pretty big spoiler, and b) integral to establishing the kind of show “Invincible” really is, behind its sunny color scheme and family-centric story. Kirkman’s adaptation is provocative, surprising, and sometimes challenging, as it constantly tries to disrupt the accepted ideas of its genre, whether that’s the superhero genre, the teen drama genre, or the misguided notion that animation is a genre unto itself....

First published in 1979, “Kindred” focuses on Dana James, a young Black aspiring writer living in Los Angeles with her husband Kevin Franklin. While in the process of moving, Dana abruptly finds herself tossed between the modern day and 1815 Maryland during the Antebellum period of the South. During her journeys to the past, she struggles to survive while trapped at a plantation owned by the wealthy Weylin family and ends up uncovering shocking secrets about her own family history....

That’s not to say that a little pomp isn’t welcome, including narrator Woody Harrelson, who manages to straddle the line between “oh, a famous person!” and “well, here’s somebody who knows what they’re doing” in a way that other talking heads, including Gisele Bundchen, Tom Brady, and Jason Mraz, can never quite manage. In his narration, Harrelson argues that most news, particularly when it comes to issues of climate change and the attendant political issues, “puts most of us in a state of paralysis....

For these reasons, “Linoleum” is difficult to pin down; the obfuscations and slippages that run through it seem just as likely to frustrate viewers as they might compel them. An astronomer with a Bill Nye-inspired children’s science program saddled in a moribund late-night slot, Cameron Edwin (Jim Gaffigan) is just out for a bike ride when he dodges a red sports car that has suddenly fallen from the sky. He pulls the occupant from the wreckage — a man who, curiously, looks like a younger, more handsome version of him....

Indeed, “Maya and the Three” is proof that the Mexican animation auteur (“The Book of Life,” “El Tigre”) is at the top of his game. Then again, Gutiérrez is just getting started with what his wife and longtime collaborator Sandra Equihua calls the “Jorgeverse.” “We’ve been in the industry for 21 years just trying to make stuff,” Gutiérrez said. “I finally feel like we’re being trusted to make [what we want] in a way that reflects who we are....

When series creator Rachael New sat down to conceive “Miss Scarlet,” she took stock of how characters were being envisioned in the wake of the #MeToo movement. “This isn’t a criticism [but] I think people were desperate to have more female-centric roles,” she told IndieWire. New said she was sent numerous scripts, from both male and female writers, who had done little more than take a male-based property and swap the character to a girl....

For years, Sony has mulled making a “Sinister Six” movie, based on the comic books that feature iconic Spider-Man villains teaming up to wreak havoc. Leto previously expressed his desire to see Morbius battle all three Spider-Man actors, but apparently he’d like to share the screen with other villains too. Speaking to The Hollywood Reporter to promote the film, Leto made it clear that he would love to make an evil version of “Spider-Man: No Way Home,” and team up with other villains from across the Spider-Man franchise....

While Jordan Peele has fast become one of the most relevant and profitable of modern American filmmakers, “Nope” is the first time that he’s been afforded a budget fit for a true blockbuster spectacle, and that’s exactly what he’s created with it. But if this smart, muscular, and massively entertaining flying saucer freak-out is such an old school delight that it starts with a shout-out to early cinema pioneer Eadweard Muybridge (before paying homage to more direct influences like “Close Encounters of the Third Kind”), it’s also a thoroughly modern popcorn movie for and about viewers who’ve been inundated with — and addicted to — 21st century visions of real-life terror....

Turns out, even the most wrung-out IP — we’re talking about a series that was eventually forced to crossover with another action-centric alien film, to deeply stupid results — can still tap into truly smart new ideas. Set on the Great Plains in the fall of 1719, “Prey” picks up at a fraught time in American history. The Comanche Nation may still rule this slice of prairie, plains, and forest, but just miles away is a group of money-hungry French fur trappers pillaging their way through the country’s wildlife....

Makeup department head Shauna Llewellyn and hair department head Ryan Reed focused on how a character’s visual concept could bilaterally reflect both who they were in the present and then how they changed in the future. With the Mirror Universe, it was a case of going extreme with alter egos. In addition, Emmy-winning makeup effects department head and prosthetics wiz Glenn Hetrick continued worked closely with Doug Jones on Commander Saru’s transformation, while Llewellyn and Reed got the rare opportunity to turn the Kelpien Starfleet science officer into a holographic human for Episode 11 ( “Su’Kal”)....

“As for the bad rap about the characters,” the late critic wrote of George Lucas’s opus, “Hey, I’ve seen space operas that put their emphasis on human personalities and relationships. They’re called ‘Star Trek’ movies. Give me transparent underwater cities and vast hollow senatorial spheres any day.” Ouch. But here’s the thing: “Star Trek: Discovery” Season 4 has reached that level of eye-tickling worldbuilding and has done so seamlessly. The season premiere, titled “Kobayashi Maru,” actually has a couple scenes set in a transparent underwater city that’s gorgeous to behold....

“[For] two hours, we pitched the full season to Netflix. We did get our executives to cry, which I thought was a good sign,” Matt Duffer said during a Netflix SAG FYC event on Sunday. “The only other time I’ve seen them cry is like, budget meetings.” The Duffer brothers spoke about the final season of their blockbuster streaming series at the Tudum Theater in Los Angeles, in a panel hosted by comedian Patton Oswalt....

Producer Judd Apatow singlehandedly dominated the comedy space for decades, and now, he’s ready to return to one of his most iconic films: “Superbad.” The 2007 high school buddy comedy directed by Greg Mottola and starring Jonah Hill and Michael Cera as desperate seniors looking to lose their virginity before college raked in $170 million at the box office and is considered to be one of the best comedies of the 21st century....